{"id":1051,"date":"2020-12-26T15:35:09","date_gmt":"2020-12-26T15:35:09","guid":{"rendered":"http:\/\/staging.raulgabriel.com\/?page_id=1051"},"modified":"2023-01-06T10:04:24","modified_gmt":"2023-01-06T10:04:24","slug":"xfiction-arte-sacra-contemporanea","status":"publish","type":"page","link":"https:\/\/staging.raulgabriel.com\/en\/xfiction-arte-sacra-contemporanea\/","title":{"rendered":"Xfiction"},"content":{"rendered":"
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Xfiction opera video Raul Gabriel \u00a9<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sacro contemporaneo e Xfiction.<\/h6>

\u00a0The truth is by its nature ambiguous \u2013 Raul Gabriel says
it is the choice of the observer\u201d. The moving image prompts questions in the viewer
more than certainties, swinging between the concepts of embrace, welcome and challenge.
The focus of Xfiction is the body, \u201cthe body as revelation\u201d. That of a man or that of
Christ, depending on the observer.<\/p>

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On Raul Gabriel's Xfiction \"Mons. Pierluigi Lia<\/em>, Theologian<\/h6>

\"... We find in this work the evocative capacity of the mystery typical of ancient icons, obtained through an operation that is on the border between figurative and non-figurative, between formal and iconic that Gabriel creates with the instrument congenial to him of hybridization. Thanks to this artistic practice he aspires to realize a tension and an interpenetration similar to the decisive one that indissolubly entangles flesh and spirit, word and image, sensitive perception and eidetic intuition.<\/p>

(…)<\/h6>

In fact, in this Christian revelation is realized no less than the authentically human experience of existence. The ideological choice for one or the other front risks being fatal for an art that, like the Christian one, does not exist for itself and in the self-referentiality of its own language, but is a word in which the mystery of faith resounds ... This mystery first appears, reveals itself, but the game of revelation is the game of a veil that shows by guarding. This is the secret of its effectiveness. With this veil that is put on and taken off at the same time Gabriel shows that he is able to try his hand.<\/p>

\u00a0<\/h6>
From the text by Paolo Biscottini <\/em>former director of the Diocesan Museum of Milan (MUDI) about Xfiction<\/em><\/h6>

His work, in this sense, detaches itself, for example, from the narrative tension of video art<\/em> by Bill Viola or by Wallinger's intellectual research. Raul Gabriel works on the border between the body and the light: a body made of light and a light that becomes a body. In this mysterious reciprocity, the viewer recognizes Christ and finds not only theEcce Homo<\/em>but also the Risen<\/em>, which seems to embrace the entire space, the cosmos, all of humanity, generating the evocative power of the image. ... \"<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Contemporary sacred art events<\/h6>

International exhibition \"He became flesh\" Medicean Basilica of San Lorenzo Florence.<\/a><\/p>

Divided into three sections, the exhibition will present the works of some of the biggest names on the international scene: from the series\u00a0Ex Voto\u00a0<\/em>by\u00a0Nan Goldin<\/strong>\u00a0to\u00a0Via Crucis<\/em>\u00a0by\u00a0Adrian Paci<\/strong>, from video installations\u00a0Via dolorosa<\/em>\u00a0by\u00a0Mark Wallinger<\/strong>\u00a0and\u00a0Xfiction<\/em>\u00a0by\u00a0Raul Gabriel<\/a>\u00a0<\/strong>to video installations\u00a0Mimmo Paladino<\/strong>, up to the shrill series dedicated to the post-council churches of the French\u00a0Fabrice Fouillet<\/strong>\u00a0and to the severe 'blacks' of the Gothic cathedrals of\u00a0Gianni Ferrero Merlino<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"arte
video installiation Xfiction Two worlds Festival Spoleto Raul Gabriel \u00a9<\/figcaption><\/figure><\/a><\/div>
\"arte
Xfiction installazione Piazza della Loggia Brescia Raul Gabriel \u00a9<\/figcaption><\/figure><\/a><\/div>
\"arte
Xfiction video installation Old Cathedral Brescia Raul Gabriel \u00a9<\/figcaption><\/figure><\/a><\/div>
\"arte
Xfiction video installation Old Cathedral Brescia Raul Gabriel \u00a9<\/figcaption><\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Xfiction opera video Raul Gabriel \u00a9 Sacro contemporaneo e Xfiction. \u00a0\u201cLa verit\u00e0 \u00e8 per sua natura ambigua \u2013 spiega lo stessoGabriel –\u00a0 \u00e8 la scelta di chi osserva\u201d. L\u2019immagine in…<\/p>","protected":false},"author":1,"featured_media":1052,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"footnotes":""},"class_list":["post-1051","page","type-page","status-publish","has-post-thumbnail"],"yoast_head":"\nXfiction arte sacra contemporanea video di Raul Gabriel<\/title>\n<meta name=\"description\" content=\"Xfiction \u00e8 un'opera video di Raul Gabriel \u00a9 Icona antica e tecnologia nel dibattito dell'arte sacra contemporanea. 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